In Coralie Fargeat's new feminist scary flick The Substance, damaging popular charm criteria are actually the genuine creatures. They (female objectification, the disposal of "the outdated," the proliferation of a business improved body alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://theguardian2024.wikiexcerpt.com/3112692/margaret_qualley_the_substance